Moog MP-201 Technical Information Page 6

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In general, bright sounds have lots of strong overtones, while darker,
mellower sounds have fewer (and weaker) overtones.
A lter is a signal-modifying device that colors a sound by
emphasizing some parts of the audio spectrum and attenuating (cutting
down) other parts. In general, a lter has a quality of its own which is
superimposed on the tone color of the original sound. Some types of
lters (like the bass and treble controls on your sound system) have
subtle, gentle effects on a sound’s timbre. Other types of lters have
stronger and more dramatic effects, and are frequently used as elements
in the music-making and sound design process. Strong lters include
phasers, angers, and wah-type resonant lters.
A graph showing what a lter does is called the lters frequency
response. The horizontal axis is frequency. The vertical axis is the lters
gain. A gain of "1" (unity) means that, at that frequency, the output of the
lter is just as strong as the input. A gain of less than unity means that the
lters output is attenuated at that frequency, while a gain of greater than
unity means that the output is actually greater than the input.
Figure 4 - Filter Frequency Response
Figure 4 shows examples of the
frequency response characteristics
of two common types of lters:
(a) a lowpass lter, which passes
frequencies without attenuation up
to a so-called ‘cutoff frequency’,
and attenuates the frequencies
above cutoff; (b) a resonant lter,
which emphasizes frequencies
around the lters ‘center
frequency’.
Both of these lter types are
widely used in electronic music.
Each of them has its own distinct
sound, a large part of which is
directly related to the shape of its frequency response graph. The rst
type is the same as in the moogerfooger MF-101 lowpass lter, as well as
the lowest lter in the MIDI MuRF’s BASS voicing; the second type is
in the top 7 bands of the MIDI MuRF’s BASS voicing and all 8 bands of
the MIDS voicing.
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